Monday, February 11, 2019

Sorry to Bother You

Boot's Riley directorial debut, Sorry to Bother You (2018) was one of the most lauded indie films of last year, with discussion and analysis around it seemingly increasing since the New Year. Interested I went in with no knowledge of what the movie was actually about, which was the perfect way of experiencing it.

Sorry to Bother You is an absurdist comedy that follows Cassius (Lakeith Stainfield) as he gets hired at a call center and tries to climb the corporate ladder. While there is more to unpack and discuss I want to avoid any chance of spoiling it since this is an experience best enjoyed by going in as blind as possible. At its heart the film is a critique of capitalism but there are several more subject matters explored and it all comes to together to a fascinating piece of cinema.

Stylistically  this film could best be described as art-house by way of Adult Swim. Its absurdist aesthetic at times reminded me of shows like Tim and Eric or Children's Hospital but this movie avoids the raunchy and juvenile trappings of those programs. Beautiful lighting and great shot composition help visually convey the character's emotions and help endear the viewer to its weird world. Their is a lot of style on display that strengths the substance of its societal commentary while not being overbearing.



Though the style and substance complimented each other for me I could see how someone else could feel differently. It was overwhelming to me at first yet eventually warmed up to it, yet it would not be surprising if others could not acclimate to how the movie presents itself. While I cannot guarantee what you will get out of it there is a entertaining and interesting viewing experience worth having.

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